Archived entries for Sounds

Roger Rodier: My Spirit’s Calling

Roger Rodier: My Spirit’s Calling (Columbia)

Great, spooky Roger Rodier tune. This one appears on his rare lp. I love the mellotron and the strange heaviness (what is it?) that suddenly descends at the 3:28 mark. Sorry about the blurry photo –my scanner can’t handle that typeface (and has difficulties with orange).

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Paul Ryder & Time Machine: If You Ever Get to Heaven

Paul Ryder and Time Machine: If You Ever Get to Heaven (Bellaphon)

Poppy glam or glammy pop -whichever, I want more.  Sadly, the a-side is leaden and charmless. These guys never did anything else.

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The Satyrs: Don’t Be Surprised

The Satyrs: Don’t Be Surprised (Wal-Mor)

Without teen hysteria the world would be a poorer place. Check out a sublime example at the 1:15 mark… The plaintive vocal pushes the song into classic territory for me. I’ve been unable to learn anything at all about this garage rocker from Asheville, Any information appreciated!

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Reece: Thinkin’ Bout Many Things

Reece: Thinkin’ Bout Many Things (Starprobe)

He’s not thinking about many things. He’s thinking about one thing: her. How lonesome he is without her.  How, without her, he feels like he’s losing his mind. How different his future seems now that she’s gone. How dark the days have grown. How… oh wait.

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Terry Knight: Lullaby

Terry Knight: Lullaby (Capitol)

Nightmarish, to my ears. If you think it’s groovy, you shouldn’t be allowed to babysit.

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Curtis M. Carrington Family: One Big Family

Curtis M. Carrington Family: One Big Family (Ken-Yatta Gospel Records)

I find this song incredibly moving, and listening to it while looking at the pic sleeve can draw tears. I really want to believe that this family, unlike so many (including mine), stuck together and had happy lives.

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The Thompson Community Singers: Jesus is Just Alright

The Thompson Community Singers: Jesus is Just Alright (Hob)

Turn this one way up, then give it a minute or so. What is that dark, nasty guitar doing in this song? Incredible. Believe me, this 45 kills at high volume -computer speakers can’t do it justice.

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The Real Pros: Ballad of a Broken Down Power Line

The Real Pros: Ballad of a Broken Down Power Line (Cinema Records)

Song-poems -of which this is a particularly “good” example- have been around nearly as long as the music industry itself. In the early 20th century you could send your lyrics to a publisher, one of whose hired stable of (usually) hack musicians would instantly produce a banal melody “fitting” said lyric, and voila -sheet music with which to bore and bewilder your friends. By the late 50s the practice had evolved, with the customer receiving his/her song in the form of a 45, usually pressed in tiny quantities (you could order as few as ten). Needless to say, most song-poems are, therefore, rare, making this the perfect moment to point out that “rare” is not the same thing as “desirable”. The vast majority of song-poems are bad in every way: sentimental/inane/cliched lyrics, indifferent music, poor production. However… not every budding songwriter, it turns out, was sane.

Some song-poems are also sonically interesting, most notably those for which Rodd Keith -the Brian Wilson of the genre- composed the music. This isn’t one of his productions.

Years ago I was lucky enough to stumble upon an entire box of these strange creatures. I’ll be posting the dozen best over the next few weeks.

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Noah’s Arc: Nasa Fly Me to the Moon

Noah’s Arc: Nasa Fly Me to the Moon (Medical Records)

Obscure oddball 70s pop, one of my favorite genres -and this, with the requisite wtf break, is a great example.

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The Famous Butleraires: Abraham, Martin & John

The Famous Butleraires: Abraham, Martin & John (Century Records)

Another record whose immense charms I’m afraid don’t survive translation through computer speakers. Recorded live in a church in 1968, the performance is sadly muffled.

Imagine the circumstances, and the setting, and listen to how raw the vocal gets after the break… I’ve seen hard, hard people cry over this 45.

The label, Century, is what’s known as a “custom”, or vanity, label. Artists recorded their own material and paid the label to press it, usually in tiny quantities.

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